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Iron Maiden World Tour 1985 (7/11) - Hallowed be thy Name
Wed, 07 Jan 2009 14:05:33 -0800 by sdfbruce

"That is not dead/Which can eternal lie/Yet with strange aeons/Even death may die" H.P. Lovecraft

Related: iron maiden live after death world tour 1985 hallowed be thy name bruce dickinson steve harris dave murray adrian smith nicko mcbrain



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SE Live In Short - January 7
Wed, 07 Jan 2009 13:58:15 -0800 by semissourian

Chris Harris tells you how it is!

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Sara_rose-harris
Wed, 07 Jan 2009 13:39:54 -0800 by Kaycee123abc

my bestfrann when she is high :)

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Reset & Switched
Wed, 07 Jan 2009 13:31:18 -0800 by MagicDave11

Credits by Paul Harris and .....Song: Hands of time by Armada Grooves

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Iron Maiden World Tour 1985 (6/11) - Number of the Beast
Wed, 07 Jan 2009 13:27:10 -0800 by sdfbruce

"That is not dead/Which can eternal lie/Yet with strange aeons/Even death may die" H.P. Lovecraft

Related: iron maiden live after death world tour 1985 number of the beast bruce dickinson steve harris dave murray adrian smith nicko mcbrain



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Mormon Coins
Wed, 07 Jan 2009 13:23:55 -0800 by MOHAMBONE

According to Smith, the Book of Mormon states in Alma 11:4, "Now these are the names of the different pieces of their gold, and of their silver, according to their value." Verses 5-19 list several measurements of gold (senine, seon, shum and limnah) and silver (senum, amnor, ezrom and onti). In lower numbers, there were shiblons (worth half a senum), shiblums (half a shiblon), and leahs (half a shiblum). This, according to Alma 11:20, was the measurement of money that the people received for their wages.The introduction to Alma chapter 11 states that these are "Nephite coins and measures." This explanation comes to us via James Talmage, a Mormon apostle who was commissioned to add both chapter headings and footnotes to the Book of Mormon. James P. Harris, author of The Essential James E. Talmage, noted that Talmage "was customarily meticulous, making sure there were no errors or omissions" (p.xxix).

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harris hawk on creance training day 7
Wed, 07 Jan 2009 13:18:40 -0800 by bablulisa

training the hawk to fly back to the fist. using a creance so it wont fly away while in training. once trained , then the creance is removed.and the hawk flys free nearly there ?

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Build An Ark - Love, Sweet Like Sugar Cane
Wed, 07 Jan 2009 12:48:34 -0800 by oporopolist

From the album Dawn (2007)Bass - Nick RosenCello - Peter JacobsonDrums - Harris EisenstadtGuitar - Damon AaronHarp - Rebekah RaffLyrics By - Big BlackMusic By - Big BlackPiano - Nate MorganShaker - Alan LightnerViola - Miguel Atwood-FergusonVocal s - Big Black "When Build an Ark, the fine multi-generational, transcultural, multi-disciplinary Los Angeles jazz and soul musician's collective, released Peace with Every Step back in 2004, it got notices overseas and in the home territories on the West Coast, but by and large it entered a void. Those who did hear it were struck by its originality, warmth, emotion, and sophistication; those who didn't missed out. Luckily that set, released on the tiny Kindred Spirit imprint, wasn't a one-off. Dawn is the group's sophomore full-length on the excellent Shaman's Work label. Co-founded and directed by Carlos Niņo and Adam Rudolph, the collective hasn't lost any of its core members, and if anything is larger, it's the talent in the lineup, which contains some ace veterans in Rudolph, spiritual jazz vocalist Dwight Trible, and trombonist Phil Ranelin, violist, composer, and arranger Miguel Atwood-Ferguson, Niņo, drummers Alan Lightner, Dexter Story, and Harris Eisenstadt, percussionists Derf Reklaw-Raheem and Andres Renteria (in addition to Rudolph), bassists Trevor Ware (bowed), Nick Rosen and Nedra Wheeler, percussionist, saxophonist and flutist Joshua Spiegelman, guitarist Damon Aaron, percussionist Munyungo Jackson, harpist Rebekah Raff, bassoonist Sara Schoenbeck, pianist and Wurlitzer organist Nate Morgan, cellist Peter Jacobson, and vocalists Gaby Hernandez, Sheila Govindarajan, and Tracey Hart. What do they sound like? Like the title of the album, the first kiss of the sun as it emerges from the night sky. They owe the great spiritual jazz traditions built by labels like Tribe, Strata East, and Impulse, but they sound like no one but themselves. Though many of these players come from outside the jazz tradition, and indeed those from it come from the outer edges like Trible, who was with Archie Shepp and Horace Tapscott, and Ranelin, a co-founder of Tribe and session man extraordinaire. That said, this music is decidedly inside. It's inside the human heart whether they are performing Pharoah Sanders' "Healing Song" or Atwood-Ferguson's "Morning Glory." Vocalists, pianos, bass, percussion, guitars, harps, and the like function as a whole. This is not a blowing session with the individual members investigating the outer realms and their own virtuosity at exploring it. This is a band that plays like a band and explores interiors, the inside spaces in the mind and heart and breath. The music is gentle but far from sleepy. It is loaded with glorious energy, percolating, swinging, moving, breathing, and finger-popping grooves. Check the gorgeous bluesy entrance of "In Her Smile" written by Rosen, where Jacobson's cello and Atwood-Ferguson's viola play counter harmony, and Joey Dosik's alto evokes the smoky sound of Ben Webster's tenor as a melody unfolds itself in the center. OnSanders' "You Yourself Are the Key to the Universe," Atwood-Ferguson's viola and Spiegelman's flutes hover through Ware's bowed bass, Rosen's pizzicato bass, and Jacobson's cello as Story holds all that low end in the grip of his brushes and it all begins to hover before moving into space."continue: http://allmusic.com/ cg/amg.dll?p=amg&sql =10:a9fuxz9hldke~T1

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How I Met Your Mother - The Wedding
Wed, 07 Jan 2009 12:45:14 -0800 by zoreng1

Weddings Can Be A Tough Time!For More "How I Met Your Mother" Clips, Tune In. Funny Clips Every Week, Only On Zoreng1.

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Build An Ark - Morning Glory
Wed, 07 Jan 2009 12:43:43 -0800 by oporopolist

From the album Dawn (2007)Arranged By - Carlos Niņo , Mark MaxwellBass - Nedra WheelerCello - Peter JacobsonDrums - Dexter StoryGuitar - Damon Aaron , Mark MaxwellLyrics By - Mark MaxwellMusic By - Mark MaxwellPiano - Nate MorganSaxophone [Tenor] - Joshua SpiegelmanTrombone - Phil RanelinViola - Miguel Atwood-FergusonVocal s - Angela Estrada , Dwight Trible , Gaby Hernandez , Sheila Govindarajan , Tracey Hart"When Build an Ark, the fine multi-generational, transcultural, multi-disciplinary Los Angeles jazz and soul musician's collective, released Peace with Every Step back in 2004, it got notices overseas and in the home territories on the West Coast, but by and large it entered a void. Those who did hear it were struck by its originality, warmth, emotion, and sophistication; those who didn't missed out. Luckily that set, released on the tiny Kindred Spirit imprint, wasn't a one-off. Dawn is the group's sophomore full-length on the excellent Shaman's Work label. Co-founded and directed by Carlos Niņo and Adam Rudolph, the collective hasn't lost any of its core members, and if anything is larger, it's the talent in the lineup, which contains some ace veterans in Rudolph, spiritual jazz vocalist Dwight Trible, and trombonist Phil Ranelin, violist, composer, and arranger Miguel Atwood-Ferguson, Niņo, drummers Alan Lightner, Dexter Story, and Harris Eisenstadt, percussionists Derf Reklaw-Raheem and Andres Renteria (in addition to Rudolph), bassists Trevor Ware (bowed), Nick Rosen and Nedra Wheeler, percussionist, saxophonist and flutist Joshua Spiegelman, guitarist Damon Aaron, percussionist Munyungo Jackson, harpist Rebekah Raff, bassoonist Sara Schoenbeck, pianist and Wurlitzer organist Nate Morgan, cellist Peter Jacobson, and vocalists Gaby Hernandez, Sheila Govindarajan, and Tracey Hart. What do they sound like? Like the title of the album, the first kiss of the sun as it emerges from the night sky. They owe the great spiritual jazz traditions built by labels like Tribe, Strata East, and Impulse, but they sound like no one but themselves. Though many of these players come from outside the jazz tradition, and indeed those from it come from the outer edges like Trible, who was with Archie Shepp and Horace Tapscott, and Ranelin, a co-founder of Tribe and session man extraordinaire. That said, this music is decidedly inside. It's inside the human heart whether they are performing Pharoah Sanders' "Healing Song" or Atwood-Ferguson's "Morning Glory." Vocalists, pianos, bass, percussion, guitars, harps, and the like function as a whole. This is not a blowing session with the individual members investigating the outer realms and their own virtuosity at exploring it. This is a band that plays like a band and explores interiors, the inside spaces in the mind and heart and breath. The music is gentle but far from sleepy. It is loaded with glorious energy, percolating, swinging, moving, breathing, and finger-popping grooves. Check the gorgeous bluesy entrance of "In Her Smile" written by Rosen, where Jacobson's cello and Atwood-Ferguson's viola play counter harmony, and Joey Dosik's alto evokes the smoky sound of Ben Webster's tenor as a melody unfolds itself in the center. OnSanders' "You Yourself Are the Key to the Universe," Atwood-Ferguson's viola and Spiegelman's flutes hover through Ware's bowed bass, Rosen's pizzicato bass, and Jacobson's cello as Story holds all that low end in the grip of his brushes and it all begins to hover before moving into space."continue: http://allmusic.com/ cg/amg.dll?p=amg&sql =10:a9fuxz9hldke~T1

Related: build an ark dwight trible jazz soul



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