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| ManOwaR - Glory Majesty Unity with lyricsThu, 08 Jan 2009 08:46:10 -0800 by ganonsdayHello everybody,The lyrics is:Deep into the heart of the battle they fought. Covered onAll sides as all converged on them, until the four couldNo longer be seen. As time passed I feared them lost, thenSlowly the armies separated, many were dead. I saw the fourEach down on one knee, all stopped to watch and gazeUpon them with a smile of victory before sending them intoThe ground.Then they rose together to make a final stand. With theirLast bit of strength they raised their arms into the air pointingBlood stained weapons to the sky. They called upon the godOf war and made ready to die. But Odin would not callThem this day to Valhalla, instead he sent thunder andLightning to strike the ground, bestowing upon them theOne gift every warrior lives in hope of - the berserker rage!Now filled with that strength, the power of a thousandMen was given them. No longer mortal they were touchedBy the gods. This time when they took up the attack, men fellNot by tens, but by hundreds, by thousands. And when theSmoke did clear, the four spoke the words and the massesAnswered the response of the warrior's prayer.Gods of war I call youMy sword is by my sideI seek a life of honorFree from all false prideI will crack the whipWith a bold mighty hailCover me with deathIf I should ever failGlory, majesty, unityHail! Hail! Hail! Related: mabnowar glory majesty unity lyrics ganonsday manowar | |
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| T.Brinda - All Time Favourites - Vol5Wed, 07 Jan 2009 23:30:37 -0800 by SanskritiSeriesT.Brinda - All Time Favourites - Vol5 - http://www.kalakendr a.com/shopping/produ ct_info.php/products _id/1048?utm_source= brindayoutube&utm_me dium=brindayoutube&u tm_campaign=ssyoutub eT. Brinda affectionately referred to as Brindamma is one of the most remarkable musicians in the annals of Carnatic music and was the most prominent and eloquent inheritors of the Veena Dhanammal Bani, known for its vibrant classicism, unhurried, alluring movements, as also for its use of intricate gamakas in the handling of ragas. Brinda absorbed both the sublime and intricate Dhanammal style and Naina Pillai's fast paced masculine music and blended them seamlessly into her singing. She was an expert at rendering ragas that featured complex patterns and subtle gamakas, such as Begada, Mukhari, Sahana, Suruti, Varali etc. She was not only a repository of Kshetrayya padams and javalis but also a master of many rare compositions of the Carnatic Music Trinity. Her music was soul stirring and full of microscopic nuances. She had a captivating voice, which had clarity, sweetness, depth and majesty. This product is a private collection of her daughter Smt. Vegavahini Vijayaraghavan who is also an accomplanished musician. The highlight of this ACD is the scholarly rendition of Sankarabharanam, followed by a rare composition of Thyagaraja, "Emineramu" and the majestic composition "Sri Kamalambike" in raga Todi composed by Subbaraya Sastri. The compositions 'Dayajucuta' and 'Paraloka' are compositions sung in fast tempo, composed by Thyagaraja in the ragas Ganavaridhi and Mandari respectively. Related: carnatic classical music t.brinda | |
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| T.Brinda - All Time Favourites - Vol4Wed, 07 Jan 2009 23:26:15 -0800 by SanskritiSeriesT.Brinda - All Time Favourites - Vol4 - http://www.kalakendr a.com/shopping/produ ct_info.php/products _id/1047?utm_source= brindayoutube&utm_me dium=brindayoutube&u tm_campaign=ssyoutub eT. Brinda affectionately referred to as Brindamma is one of the most remarkable musicians in the annals of Carnatic music and was the most prominent and eloquent inheritors of the Veena Dhanammal Bani, known for its vibrant classicism, unhurried, alluring movements, as also for its use of intricate gamakas in the handling of ragas. Brinda absorbed both the sublime and intricate Dhanammal style and Naina Pillai's fast paced masculine music and blended them seamlessly into her singing. She was an expert at rendering ragas that featured complex patterns and subtle gamakas, such as Begada, Mukhari, Sahana, Suruti, Varali etc. She was not only a repository of Kshetrayya padams and javalis but also a master of many rare compositions of the Carnatic Music Trinity. Her music was soul stirring and full of microscopic nuances. She had a captivating voice, which had clarity, sweetness, depth and majesty. This product is a private collection of her daughter Smt. Vegavahini Vijayaraghavan who is also an accomplanished musician. This ACD is a compilation of popular and masterly compositions of Thyagaraja. "Ni Cittamu", in raga Dhanyasi is a scholarly composition seldom heard in present day concerts. The Sahana raga exposition is brilliant followed by yet another gem of Thyagaraja, "Emanadichchevo". A detailed rendition of Sankarabharanam is an added attraction. Related: carnatic classical music t.brinda | |
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| T.Brinda - All Time Favourites - Vol3Wed, 07 Jan 2009 23:22:20 -0800 by SanskritiSeriesT.Brinda - All Time Favourites - Vol3 - http://www.kalakendr a.com/shopping/produ ct_info.php/products _id/1046?utm_source= brindayoutube&utm_me dium=brindayoutube&u tm_campaign=ssyoutub eT. Brinda affectionately referred to as Brindamma is one of the most remarkable musicians in the annals of Carnatic music and was the most prominent and eloquent inheritors of the Veena Dhanammal Bani, known for its vibrant classicism, unhurried, alluring movements, as also for its use of intricate gamakas in the handling of ragas. Brinda absorbed both the sublime and intricate Dhanammal style and Naina Pillai's fast paced masculine music and blended them seamlessly into her singing. She was an expert at rendering ragas that featured complex patterns and subtle gamakas, such as Begada, Mukhari, Sahana, Suruti, Varali etc. She was not only a repository of Kshetrayya padams and javalis but also a master of many rare compositions of the Carnatic Music Trinity. Her music was soul stirring and full of microscopic nuances. She had a captivating voice, which had clarity, sweetness, depth and majesty. This product is a private collection of her daughter Smt. Vegavahini Vijayaraghavan who is also an accomplanished musician. The hallmark of this ACD is the spectacular exposition of the rare composition of Tyagaraja. "Nemorabetti" in Todi by the doyen and the soulful rendition of Shyama Sastri's master piece "Brova Vamma" in Manji. The superb composition "Venkatasaila" in the raga Hamirkalyani is an added attraction in this product. Related: classical carnatic music t.brinda | |
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| T.Brinda - All Time Favourites - Vol2Wed, 07 Jan 2009 23:18:01 -0800 by SanskritiSeriesT.Brinda - All Time Favourites - Vol2 - http://www.kalakendr a.com/shopping/produ ct_info.php/products _id/1045?utm_source= brindayoutube&utm_me dium=brindayoutube&u tm_campaign=ssyoutub eT. Brinda affectionately referred to as Brindamma is one of the most remarkable musicians in the annals of Carnatic music and was the most prominent and eloquent inheritors of the Veena Dhanammal Bani, known for its vibrant classicism, unhurried, alluring movements, as also for its use of intricate gamakas in the handling of ragas. Brinda absorbed both the sublime and intricate Dhanammal style and Naina Pillai's fast paced masculine music and blended them seamlessly into her singing. She was an expert at rendering ragas that featured complex patterns and subtle gamakas, such as Begada, Mukhari, Sahana, Suruti, Varali etc. She was not only a repository of Kshetrayya padams and javalis but also a master of many rare compositions of the Carnatic Music Trinity. Her music was soul stirring and full of microscopic nuances. She had a captivating voice, which had clarity, sweetness, depth and majesty. This product is a private collection of her daughter Smt. Vegavahini Vijayaraghavan who is also an accomplanished musician. The highlight of this ACD is the brilliant rendition of the compositions of Subbaraya Sastri, in Dhanyasi and Mukhari popularized by this doyen and the bright and exquisite padam in Athana composed by Swati Tirunal. 'Ekkalathulum' is a beautiful and rarely heard composition in the raga Purvikalyani composed by Tiruvarur Ramaswami Pillai. Related: carnatic classical music t.brinda | |
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| T.Brinda - All Time Favourites - Vol1Wed, 07 Jan 2009 23:13:25 -0800 by SanskritiSeriesT.Brinda - All Time Favourites - Vol1 - http://www.kalakendr a.com/shopping/produ ct_info.php/products _id/1044?utm_source= brindayoutube&utm_me dium=brindayoutube&u tm_campaign=ssyoutub eT. Brinda affectionately referred to as Brindamma is one of the most remarkable musicians in the annals of Carnatic music and was the most prominent and eloquent inheritors of the Veena Dhanammal Bani, known for its vibrant classicism, unhurried, alluring movements, as also for its use of intricate gamakas in the handling of ragas. Brinda absorbed both the sublime and intricate Dhanammal style and Naina Pillai's fast paced masculine music and blended them seamlessly into her singing. She was an expert at rendering ragas that featured complex patterns and subtle gamakas, such as Begada, Mukhari, Sahana, Suruti, Varali etc. She was not only a repository of Kshetrayya padams and javalis but also a master of many rare compositions of the Carnatic Music Trinity. Her music was soul stirring and full of microscopic nuances. She had a captivating voice, which had clarity, sweetness, depth and majesty. This product is a private collection of her daughter Smt. Vegavahini Vijayaraghavan who is also an accomplanished musician. The highlight of this ACD is the brilliant exposition of the rare composition of Subbarama Dikshithar, "Kantimati" in Kalyani popularized by this doyen and the soulful rendition of Subbaraya Sastri's masterpiece "Ninnusevinchina" in Yadukulakamboji, also a rarely heard composition. Related: classical carnatic music t.brinda | |
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